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The Commodores became the third act to exit Trump's Freedom 250 bash Thursday, as disputes over who speaks for Milli Vanilli and C&C Music Factory erupt.
The Commodores became the third act to exit Trump’s Freedom 250 bash Thursday, as disputes over who speaks for Milli Vanilli and C&C Music Factory erupt.
The exit list keeps growing. The Commodores became the third announced act to pull out of the Freedom 250 “Great American State Fair” lineup on Thursday, joining Morris Day and The Time and Young MC in walking away from the Trump-backed National Mall event.
Variety broke the Commodores statement. The trade’s deep dive on the Commodores exit and the swirling disputes over which members can speak for Milli Vanilli and C&C Music Factory reports that the group posted its withdrawal to social media Thursday afternoon.
The Commodores framed the exit as nonpolitical. “Our music has always been our voice and we choose not to publicly affiliate with any single political party,” the group wrote. “We support the betterment of all Americans.”
The Commodores’ current lineup is leaner than the legacy. William King, who co-wrote the 1981 ballad “Lady,” is the only original member still in the group, with founding co-frontman Lionel Richie having departed in 1982.
The Milli Vanilli situation is messier. Two singers performing as the Real Milli Vanilli, sisters Jodie Rocco and Linda Rocco, told the Associated Press they had no intention of taking the gig and were “shocked” to see their billing.
The promotional image is the rub. The Rocco sisters performed vocals on the original Milli Vanilli albums and now tour under the Real Milli Vanilli name, but Freedom 250’s promotional materials featured Fab Morvan, the surviving member of the original on-stage male duo.
Morvan has not publicly responded. Whether he intends to honor the booking remains unanswered as of Thursday evening.
The C&C Music Factory rift is more public and more profane. Freedom Williams, who fronts the touring edition of the group, posted a profanity-laden eight-minute Instagram video Wednesday night defending his decision to keep the gig even as he acknowledged his own “Fuck Trump” feelings.
Williams’s argument was about the backlash. He told viewers he had initially considered backing out, then said he might play the show specifically to spite the online commenters who had been telling him not to, with the video including charged racial language directed at both Black and white critics.
C&C Music Factory cofounder Robert Clivillés hit back the next day. Variety’s capture of the Clivillés-versus-Williams social-media exchange and the cofounder’s disavowal language quotes Clivillés writing that the group’s name “means Civilles & Cole Music Factory” and that “Freedom Williams should not be using this name to tour or represent what this group stands for.”
Clivillés positioned the group’s official stance on neutrality. “Any political or religious show or comment Freedom Williams makes regarding any shows, views or opinions… (have) absolutely nothing to do with C&C Music Factories (sic) viewpoint at all. The group stands for love and peace of all people globally and neutrality.”
The cofounder ended on a direction. “We take the side of love and peace always. Please go to his page and vent,” Clivillés wrote.
The mechanics of the Day and Young MC exits were cleaner. Young MC is a solo act and Morris Day is in clear control of the Time, leaving little ambiguity about whether the withdrawals would stick.
Bandmine’s aggregation of the Commodores news framed alongside the rolling exit timeline tracks how the wave of withdrawals began within hours of Wednesday’s first-wave announcement and has continued through the following day.
The remaining roster still on the bill is shrinking by the day. Vanilla Ice, Flo Rida, Martina McBride, and Bret Michaels remain attached publicly as of Thursday night, though the Milli Vanilli and C&C confusion suggests the published lineup may not match the eventual stage.
The event runs June 25 through July 10 on the National Mall. The promoters have less than a month to lock the lineup down before the gates open.
For the artists who walked, the math was straightforward. For the ones still tangled in identity disputes, the question is who actually shows up on day one.